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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The Textiles Scientist, 2018 by Kate Atkinson

Textiles Scientist Voted the People’s Favourite

Archived media releases 2019

The black and white portrait of an elderly woman with sidelong glance and irreverent, contemplative smile has taken out the people’s choice award in this year’s National Photographic Portrait Prize.

Thomas Woolner

Thomas Woolner

Thomas Woolner, sculptor, studied first with the brothers Henry and William Behnes, painter and sculptor respectively, and later at the Royal Academy, at which he was to become professor of sculpture in his fifties.

5 portraits in the collection

In memory of the Rev William Hill

In memory of the Rev William Hill

In memory of the Rev William Hill

In memory of the Rev William Hill, 1869

Charles Wherrett

Portrait, albumen silver carte de visite

Collection: National Portrait Gallery
Purchased 2010

Murray frees himself from straightjacket in public, 1928 by Sam Hood

Risky business

Magazine article by John Zubrzycki, 2016

John Zubrzycki lauds the characters of the Australian escapology trade.

Fannie Carandini

Fannie Carandini

Fannie Carandini

Fannie Carandini, mid 1860s

Portrait, albumen photograph on carte de visite

Purchased with funds provided by Graham Smith 2009

Thomas Sutcliffe Mort and his wife Theresa

Husbands and Wives

Photographic Portraits from 19th Century Australia

Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

'Moses' by Michelangelo, c. 1513–1515

Not perspiring, but glowing.

The cultural history of radiance.

About Face article

Angus Trumble explores the creative manifestations of radiance.

Trucaninny [Trukanini], wife of Woureddy [Wurati]

Trucaninny [Trukanini], wife of Woureddy [Wurati]

Trucaninny [Trukanini], wife of Woureddy [Wurati]

Trucaninny [Trukanini], wife of Woureddy [Wurati], 1836

Portrait, cast plaster, painted

Collection: National Portrait Gallery
Purchased 2010

Duchess of Cornwall and York (later Queen Mary)

Queen Mary

George Frederick Ernest Albert, The Duke of Cornwall and York and later King George V (1865-1936), was the son of Edward VII, the man for whom the Edwardian era was named.

3 portraits in the collection

H.M. King George V at his desk

King George V

George Frederick Ernest Albert, The Duke of Cornwall and York and later King George V (1865-1936), was the son of Edward VII, the man for whom the Edwardian era was named.

4 portraits in the collection

Margaret Fulton

Masters of Fare

Chefs, winemakers, providores

Previous exhibition, 2004

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Previous exhibition, 2022

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Abduction/The Forest, 2009 © Pushpamala N.

Pushpamala N

Pushpamala N. was born in 1956 in Bangalore. Her early training was in sculpture, but as her practice progressed she brought an early enthusiasm for narrative figuration into her photographic work.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Jessie Street

First Ladies

Significant Australian Women 1913–2013

Previous exhibition, 2013

First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.

© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency